Mac Love

15" Macintosh PowerBook, House, Robertson, Brisbane, Queensland
Brisbane, Robertson

Charles: Level with me, Red. When are the robots planning to rise up and take over?
Red Robot: Typical extrovert perspective. We’re on your desks. We’re in your phones. We count your money. We heat your homes. We navigate your cars. We time your mac and cheese.

We’ve already taken over everything that matters.

But you’re welcome to whatever’s left of nature!
R Stevens, Diesel Sweeties

Happy 25th birthday Photoshop. I hate the monster you’ve become, please don’t leave me. You were the killer app for many a photographer otherwise too frightened to touch a computer. Having been a user for under two decades, I must acknowledge the influence of your creators, Thomas and John Knoll on my creative life.

The Gypsy


Hey (hey) What’s the matter with your head? yeah…
Hey (hey) What’s the matter with your mind and all your sighing?
And-a ooh-ohh
Hey (hey) Nothin’s a matter with your head, baby, find it
Come on and find it
Hell, with it, baby, ’cause you’re fine and you’re mine
And you look so divine

Redbone, Come and Get Your Love (watch the video)

Signboards

Tribeca Skyline, Manhattan, New York, New York. Ilford HP5+ BW negative 35mm film.
New York, Manhattan

I once saw a sunset like that, over the lake near the old tanning factory back home. It was winter and I was going back for Christmas break. I remember the light flashing through the trees woke me up, and I pressed my face against the window just before the bus turned away onto the overpass.

Sometimes I think I only see moments like that through some kind of screen.
Michael Cho, Shoplifter

Offering

Temple of Dendur, Metropolitan Museum of Art, Manhattan, New York, New York. SIlford HP5+ BW negative 35mm film.
New York, Manhattan

That responsibility is thrown into even greater relief at a time like this, when the Ferguson protesters are doing everything possible to emphasize that racism is a systemic problem, built into the basic machinery of our lives. That machinery, of course, includes Hollywood…
Sigal Samuel, Why I’m Boycotting the ‘Exodus’ Movie

While race didn’t matter at the time, it does now, and casting all white people as non-white people is problematic. Ridley Scott, a 76 year old man who grew up in a world where the historical epic tradition was actors with booming English accents wearing togas, probably never even thought about it.
Devin Faraci, Will Ridley Scott’s Exodus Be The Last Whitewashed Blockbuster?